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The Windsong Series | John Bell & Simon Tedeschi | Sunday 2 July 2017, 12.30pm

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A tale of shipwreck, heartbreak and redemption comes to the Windsong Pavilion

Sunday 2 July 2017, 12.30pm

Founder of Bell Shakespeare, John Bell, and internationally acclaimed pianist, Simon Tedeschi – two of Australia’s great storytellers – bring their unique performance of Enoch Arden to the Four Winds Windsong Pavilion, in Bermagui on Sunday 2 July 2017 at 12.30pm, as part of James Crabb, Four Winds Artistic Director’s, Windsong Series.

This epic melodrama, composed by Richard Strauss to the words of Alfred Lord Tennyson’s 1864 poem ‘Enoch Arden’, will be performed in words and music. “A tragic, tempestuous, romantic tale accompanied by the music of a genius. Half chamber music, half theatre.” says Simon Tedeschi.

The historic and artistic value of pairing poetry with classical music is something that both performers are eager to share with audiences as they tour around Australia. “Audiences can expect a moving and dramatic tale of shipwreck, loss and redemption— very satisfying theatre” says John Bell.

John Bell is one of Australian theatre’s most illustrious figures, having played a role in the development of our nation’s rich artistic culture, as founder of Bell Shakespeare, an actor and director. Simon Tedeschi, is one of the most sought-after pianists in Australia. After solo recitals and numerous awards throughout Europe, the USA and Asia, Tedeschi returned to Sydney in 2010 and has since performed as soloist for the Sydney and Adelaide Symphony Orchestras, Queensland Music Festival, Musica Viva and several concert series and major venues around the country.

This rich, philosophical tale of love and loss, inspired by some of Strauss’s most intriguing music, will be performed in the Four Winds Windsong Pavilion in Bermagui on Sunday 2 July at 12.30pm.

John Bell (Narrator) & Simon Tedeschi (Pianist) perform ‘Enoch Arden’
Sunday 2 July 2017, 12.30pm
Windsong Pavilion, Four Winds Rd, Bermagui

Adults $80; 16yrs & under FREE;  Subscription package $140 – includes this event and the next Windsong Series event with Dame Emma Kirkby (Soparano) & Jakob Lindberg (Lute) – Sunday 19 November 2017.

More details John Bell & Simon Tedeschi  | www.fourwinds.com.au/whats-on or call 2 6493 3414

Aurelia Quartet | Four Winds Creative Community Residency May 2017

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Discover the musical gems uncovered by the Aurelia Quartet during their residency at Four Winds. Two-weeks of collaborations with local artists; school visits; musical story-time sessions in local libraries; a live session on local ABC South East; private tuition for local musicians and rehearsal time in the Windsong Pavilion, will culminate in a concert performance on Saturday 27 May at 2pm in the beautiful Four Winds Windsong Pavilion, just south of Bermagui.

Aurelia Quartet is a newly formed string quartet comprising Laura Freier and Natasha Hanna (violin), Beth Condon (viola) and Eliza Sdraulig (cello). The four met at the beginning of 2017 at ANAM (Australian National Academy of Music) where they are all students. Despite being freshly formed, they are all excited to explore and share the musical treasure chest that exists for string quartets.

Four Winds is fortunate to partner with organisations such as the Australian National Academy of Music (ANAM). Together we host some extremely exciting residency programs which bring emerging artists to our region. This residency is part of Four Winds commitment to encourage and support the development of artists and the creativity that lies within our community.

Library story-times are as follows:
Monday 22 May – Tura Beach Library, 10.30am,
Tuesday 23 May – Bermagui Library, 10.30am and,
Thursday 25 May – Eden Library, 10.30am.

On Saturday 27 May at 2pm come and enjoy a concert by Aurelia Quartet and hear their reflections of their time in our community in the beautiful Four Winds Windsong Pavilion, just south of Bermagui. Adults $15, 16yrs and under free. Gates open from 1pm. Parking on site.

More info Aurelia Quartet  | www.fourwinds.com.au/whats-on

Four Winds 2016 Easter Festival Gallery of images

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Photo’s by Ben Marden Photography

 

There are many more photos to come, however, here’s a glimpse of what was a triumphant Four Winds 2016 Easter Festival…

 

 

Good Friday Night Opening Concert, 25 March 2016:

Sound Shell Easter Saturday, 2016:

Sound Shell Easter Sunday, 2016:

Four Winds conducts a festival biennially and hosts a diverse range of concerts,
workshops and community engagement projects throughout the year.
To find out what’s coming up next go to www.fourwinds.com.au
call +61 03 6493 3414 or drop in to our office at the Bermagui Communtity Centre.

25 years strong – The Four Winds Festival 2016 a triumph!

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Four Winds Press Release

25 years strong – The Four Winds Festival 2016 a triumph!

The 2016 Four Winds Festival held in Nature’s Concert Hall at Barragga Bay, was the biggest Festival ever, with 4300 people attending across the 21 Festival events.

There was a diary of free events on Good Friday, three outstanding evening concerts at the Windsong Pavilion – entirely booked out – three beautiful and intimate house concerts, two gigs at the Bermagui Community Hall and around 1100 people on each day, Saturday and Sunday in the Sound Shell amphitheatre.

2016 Sound Shell Saturday _ reflection shot _ low res

Chair Sheena Boughen said “ We are 25 years strong, and I am thrilled at the start of our 25th year that we can launch this world class facility, and start anticipation building after such a successful event.”

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Ms Boughen said that the overall impression from audience feedback was that people loved the music, some of which was challenging, some surprising, and some overwhelmingly beautiful.

The calibre of the artists, both Australian and international, was outstanding, and in what is becoming a Four Winds tradition, all the performers formed an orchestra to play the last piece, Gershwin’s Rhapsody in Blue. Zubin Kanga was on the piano in an electric blue jacket, and artistic director Paul Dean played the soaring clarinet.

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Local businesses noted how cheerful audience members were with happy people buying dinner, fish and chips, going to the pub, buying coffee and generally having a great time.

The food tents showcasing local produce such as Wapengo Oysters and Cobargo Home Made Ice-cream were very well attended, and the children’s tent, offering free childcare was at times at capacity.

The major fundraiser for a $100,00 to buy a Concert Grand Piano, sold by the piano key (of which there are 88,) has had a most encouraging start, and shows the support from so many audience members.

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What’s next? This Sunday 3 April in the Four Winds Sound Shell at 2pm the Sydney Youth Orchestra presents ‘Mozart by the Sea’. Tickets are $10 and under 16 years free and available at the gate.

www.fourwinds.com.au

Media enquiries: Marg Hansen 0400 442 945

Birds welcome in the musicians to the Four Winds Festival

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After a cool and misty start for the Welcome to Country smoking ceremony it didn’t take long for the Four Winds Festival to catapult the audience headlong into the Four Winds Rap, performed by Warren Foster Jnr. The rap (Look, Listen, Nylarga, hear the sound of the voice, hear the sound of the birds) was developed with Radical Son’s David Leha working with the Yuin people. By 9.45 we had visited three continents as exquisite music on the flute and the Chinese Erhu emerged mysteriously from the bushes, and then we moved onto to a piece perfectly suited to outdoor playing – Dvorak’s Wind Serenade. With it came the sun.

The 25th anniversary was celebrated with readings from the late Neilma Gantner’s beautifully observed accounts of moving to Barragga Bay some thirty-five years ago, accompanied by a Sculthorpe String Quartet and a moving tribute to Neilma by her sister Marigold Southey who read John Masefield’s Sea Fever.

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Festival goers soaked up the atmosphere, and the strong sense of community, Bermagui is a small town that does big things. The site delivered as always, with a flock of larrikeets flying over in the middle of the Ravel String Quartet, giving a few audience members a moment to reflect that the Navarra Quartet had come all the way from the UK to play in the middle of the bush accompanied by the wildlife.

The galahs had better timing as a flock squeaked by in the silence between movements in the Wind Serenade, while a black cockatoo tried to compete with the brass. But it all added to the sense of Four Winds being a special place to play music.

Artistic director and clarinet player Paul Dean had asked James Ledger to explain the piece he has composed to be world premiered tomorrow, using a small orchestra to demonstrate what he had written and why. The music, called the Natural Church is about night and the bush and the image in his mind is the arch made by trees as he drove along a country road at night. Paul Dean has committed to playing 25% Australian music in this festival, and true to his word intriguing works by Paul Stanhope and Peter Sculthorpe were played today.

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Taikoz made a welcome return, the athletic drummers beating out an incredible rhythm on the giant Japanese drums, the smallest drummer, a woman, having to stand on a platform to reach her drum, but she beat no less loud because of it.

The last extraordinary piece by HK Gruber, Frankenstein, is demonic and ghoulish and fun, and deciding to perform it probably reflects the artistic director’s strong sense of humour. Brilliantly sung and presented by the multi-voiced Jason Barry Smith, baritone and master of everything, it was accompanied by Paul Dean and a group of musicians who as well as their own instruments, all played toy instruments, whirled hosepipes above their heads and made weird noises to the accompaniment of the percussionist popping paper bags.

There is another wonderful day ahead tomorrow, and tickets are available at the gate and online. Don’t miss it!

To see a full gallery of images from today’s Sound Shell Easter Saturday Program  CLICK HERE

www.fourwinds.com.a

 

Close to Home | Three Beautiful House Concerts

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New to the Four Winds Easter Festival, three very intimate recitals in three beautiful private homes. Key festival artists will share their stories and their music with an intimate small audience at each event, creating a unique opportunity to get up close and personal with the process of outstanding music making.

Tickets are still available for two of the three ‘Close to Home’ House Concerts including:

Tilba Home | 3-4pm Tuesday 22 March 2016

sculthorpe wind quintetThe Sculthorpe Wind Quintet will be playing in a beautiful homestead at historic Tilba. The quintet of Paul Dean, Four Winds Artistic Director, on clarinet, Emma Scholl, flute, Shefali Pryor, oboe, Lyndon Watts, bassoon, and Ben Jacks on horn will delight your musical senses performing works by Ibert, Ligeti and Klughardt. All the members are eminent musicians in their own right, having played with some of the best orchestras and ensembles in the world as well as having successful solo careers. The musical experience will be enhanced by beautiful locally-produced food and wine. Adults $155.

Click here to book your ‘Close to Home’ House Concert tickets

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Barragga Bay Home | 3-4pm Wednesday 23 March 2016

This house concert will be held just across the road from the Four Winds Festival site at Barragga Bay in a beautiful local home. Jack Liebeck on violin, Zubin Kanga, piano, and Nicholas Ng playing the erhu (Chinese two-string fiddle). Don’t miss what will be a one-off performance of the three exceptional musicians while they are all in Australia together.

Adults $155.

House Concert 2 artists image

Click here to book your ‘Close to Home’ House Concert  tickets

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Investigate the full Festival program and find out more about ticketing packages at www.fourwinds.com.au/whats-on/festival, call 02 6493 3414, or drop in and visit the Four Winds office at the Bermagui Community Centre, Monday to Friday, 9.30am – 4.30pm.

Two Grand Pianos

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At this year’s Four Winds Festival there will be two very hard-working Mason and Hamlin grand pianos, one in the Sound Shell and another in the Windsong Pavilion. Two wonderful, bold and expressive pianists, Zubin Kanga and Alex Raineri, will play a diverse repertoire ranging from Gershwin and Gruber to Schumann and Shostakovitch.

Zubin Kanga, pianist

Zubin in socksZubin Kanga is an Australian-born, London-based piano virtuoso who, as well as having impeccable technique, has a driving interest in exploring the full-range of sounds and tones that can be extracted from a piano. Your first chance to hear him in performance will be playing with Ensemble Offspring in Philip Glass’s Music with Changing Parts at the free concert on Friday evening between 6 and 7pm at the Sound Shell. Later that evening, he will be playing in the first Windsong Chamber Music concert of the festival – Messiaen’s Quartet for the End of Time – with Jack Liebeck on violin, Li-Wei Qin, cello, and Paul Dean on clarinet. On Saturday he will play Schumann’s Piano Quartet in E-flat Major, with Liebeck and Li-Wei Qin again and Simone van der Geissen from the Navarra Quartet playing viola. And on Sunday, showing his immense versatility, he will be playing Gershwin’s Rhapsody in Blue.
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Alex Raineri, pianist
AlexRaineriAlex Raineri is a prize-winning, young Australian pianist who studied at the Queensland Conservatorium of Music and was the winner of a University Medal. He is the pianist and co-director of a contemporary music ensemble, Kupka’s Piano, and is now studying at ANAM, where he won their Concerto Competition. His first appearance in this year’s festival will be accompanying the tenor, Andrew Goodwin, in a performance of George Butterworth’s Six Songs from a Shropshire Lad. He will also be heard in Stanhope’s Pulse – Heart – Beat and helps to wind up the day with Gruber’s Frankenstein!!
The following day he can be heard playing the second movement, Celebration, from Matthew Hindson’s cello concerto, In Memoriam, a piece that opens the day’s program.
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Mason and Hamlim
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The pianos at this year’s festival are two Mason & Hamlin concert grands. Mason & Hamlin is an American manufacturer of pianos that began making world-class pianos in Boston, Massachusetts in 1854. Over the years, these pianos have been played and owned by many well-known musicians and composers including our own Dame Nellie Melba. Mason & Hamlin pianos are noted for their expressive tone and dynamic range and for their ability to be both beautiful instruments as well as being uniquely rugged in their construction and materials. This makes it an excellent choice for a piano to use at an open-air music festival, where it is required to handle fluctuating heat and humidity without compromising the quality of the sound.
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 Investigate the full Festival program and find out more about ticketing packages at www.fourwinds.com.au/whats-on/festival, call 02 6493 3414, or drop in and visit the Four Winds office at the Bermagui Community Centre, Monday to Friday, 9.30am – 4.30pm.

A Festival of Unexpected Percussion at Four Winds

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Raw energy will ignite the senses and lift the spirit of Festival goers and the Bermagui Community throughout the Four Winds 2016 Easter Festival with a number of dynamic drumming and percussion performances included in the program….expect the unexpected.
Including:
The FREE Opening Night Concert
Easter Friday 25 March 2016, 6-7pm in the Four Winds Sound Shell:
Ensemble Offspring percussion  Philip Glass 1
Music with Changing Parts by Philip Glass will be performed by percussion ensemble Ensemble Offspring in collaboration with fLIng Physical Theatre. Clare Edwardes, Artistic Director of Ensemble Offspring, will lead three keyboard players, a trumpet, two clarinets, an oboe, a flute and two wordless voices interweaving different patterns of harmony, rhythm and tone. Don’t miss this magical evening which will prove to be a deeply satisfying introduction to a weekend of diverse and exciting music.
Taikoz Trio
Easter Saturday 26 March 2016Four Winds, Sound Shell
Bermagui Headland on Easter Friday morning & pop-up performances in the region during the Festival week
taiko at sunrise
Visually dramatic and renowned for their explosive and disciplined energy, Taikoz brings an unrivalled impact to the Festival. There will also be pop-up performances around Bermagui with David Hewitt, an inspirational local composer and percussionist, leading our local Stonewave Taiko.
Gruber’s Frankenstein!!
Easter Saturday 26 March 2016Four Winds, Sound Shell.
frankenstein
Saturday’s Sound Shell program closes with Frankenstein!! performed on a stage littered with children’s toys and percussion. It is exuberant, witty and subversive, light-hearted but not at all trivial and was described by its composer as a ‘pan-demonium’.
Young People – make some noise!
Youth Workshops | ‘Rhythm & Movement’, ‘Instrument Technology’
Easter Saturday 26 March and Easter Sunday 27 March 2016 Four Winds, Windsong Pavilion. 
kids sml
On Saturday, Michael Hanlon will lead a workshop focussing on using ‘Technology as an Instrument’; Sunday’s workshop, ‘Rhythm and Movement’, will be led by Tom Royce-Hampton from Taikoz Trio.
FREE Child-MindingEaster Saturday 26 March and Easter Sunday 27 March 2016Four Winds, Sound Shell. For children between 2 and 7 years old there will be free child-minding at the Kids’ Tent where they can be involved in a range of creative and musical activities. Over the weekend various Festival artists will drop in to entertain the kids with wonderful musical experiences.
 
Investigate the Festival Program, book your bus service from Narooma to Merimbula or your carpark pass, read artists’ biographies, find out about child-minding over the weekend, book the youth workshop program and book your ticket packages online at fourwinds.com.au/whats-on/festival or call (02) 6493 3414 or drop into the FourWinds office at the Bermagui Community Centre which is open Monday to Friday between 9.30am and 4.30pm.

Four Winds | Artists in Residence: The String Contingent

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Four winds proudly presents ‘Artists in Residence: The String Contingent’.

A whole week of musical creativity and improvisation to generate potential new pieces for their album and their upcoming tour.

The String Contingent  will pull back the curtains on the process of creativity by sharing their daily input on this blog.

On top of that, The String Contingent  will experiment with creating music by improvising rather than showing just the finished, perfectly rehearsed piece. It’s an experiment to focus on their ‘weak points’ as musicians; to confront themselves with not having total control over the creation but letting themselves drift into a new way of creating music.

We invite you to be part of this journey. To get directly involved by giving us and them your honest feedback.
Your comments, feedback, questions and suggestions will all affect and influence the process of their rehearsals and thinking.

After the tour, The String Contingent  will return to the Windsong Pavilion in April to record their new album.

The residency will be captured by Rafael and Sophia who will film, photograph and blog.

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Retrospect / Au revoir!

A week full of emotions, practice, and an inspiring musical progress in improvisation has come to an end.

From slight fear to overexcitement, from frustration and holding back to breathing in and letting go. From discomfort and insecurity to curiosity. Towards finding a way that feels comfortable for everyone.
Less tension. More comfort. More ease.
All accompanied with dedication, enthusiasm and of course a big bunch of talent.
All leading to a productive ambience of flow and joy.

I wish they could have stayed for another week from this point – to benefit from this newly gained flow and confidence, and especially the ease that settled in their minds and hands while jamming.

It was incredibly interesting to be able to observe this progress and get such a deep insight.

I am very curious to see what the next months will bring while they keep improvising and evolving their ideas on their tour. New experiences at each gig. Breaking out of old habits into this exciting excursion of this diverse new ways of playing and thinking. Live in concert – in front of an audience!

They will be back in April at Four Winds to record their new improvisation based album, with the pieces they developed and refined during their upcoming tour.

Stay tuned on this blog! More pieces and Soundcloud files of The String Contingent will follow!

Au revoir!

Yours sincerely,
Sophia

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In the nude

No magic. Toil. Despair. Practice. Confusion. Reality.

The String Contingent  reveals with ‘In the nude’ an extract of how much work goes into creating music.

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Improvisation – live in concert

“In the nude. Without a net. In front of everyone.”
A pretty laconic sum up by Steve who attended the first live improvisation in concert of The String Contingent.

The video gives a beautiful insight into one of the challenges of free jamming: Communication.
Lean back, have a look and in best case let us know what you feel and think!

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Improvisation 1 / Day 2

As an “outsider” observing the whole process, you realize quickly how delicate it must be for a band to give up their routine and habits by focusing on improvising.

There are a lot of emotions involved and it requires a lot of courage and discipline. One needs to stay alert all the time to be able to adapt changes and interact harmoniously. It’s definitely a great way to get a better understanding of harmonies, melodies, rhythms but also emotions involved and personal limits.

It is fascinating to see how much personality gets unveiled and how important it is to listen to each other. To keep the balance of engagement and release. The String Contingent  managed well to create a base where creativity can flow.

Later in the afternoon, they performed an intimate concert where they seized the opportunity to play a freely improvised piece in front of an audience for the first time.

Please find below an excerpt of the first improvisation that resulted of the residency.
For those you are interested in the whole session, indulge yourself with the full extended version via the soundcloud link below!

Four Winds and The String Contingent  highly encourage you to give us your opinion.
Is there anything that attracted your attention in particular? Anything you really enjoyed or would like to be worked on?
We are happy to receive any constructive critiques, comments and any upcoming questions via the comment form below.

Full extended version of the jam:

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The Arrival // Day 1

After more heavy rain fall and even more closed east coast roads, The String Contingent  finally arrived safely at The Windsong Pavilion at Four Winds.

The String Contingent let their passion, talent and ambition pair up with a remarkable endurance to lead into a productive day full of improvising. Warming up in the spotlight of the pavilion with a rewarding view out of the big front window, they didn’t miss a minute to get the most out of the residency.

It’s a real pleasure to be part of this process and to have the opportunity to provide a supportive atmosphere for their creative improvised project.

You, too, could be part of this process! Is there anything particular you would love to see and hear?
Just leave a comment on the bottom of this blog and share your opinion with us.

So long for now. We’ll keep you updated.

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Almost day one

The rain decided to have a bigger impact on their arrival than expected.
A short intro to almost day one:

 

2015 Gallery of Highlights at Four Winds

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January 2015 | The Four Winds Convivium

February 2015 | Four Winds Four Writers

March 2015 | Archie Roach & Shellie Morris

April 2015 | The Penny Quartet

June 2015 | Taikoz

June 2015 | Vale Neilma Gantner, Four Winds Founder

July 2015 | The Griffyn Ensemble

July 2015 | Genevieve Lacey & Jim Atkins in Residence

July 2015 | Native Species Arboretum Tree Planting begins

August 2015 | Tim Cope, Paul West & Bukhu

September 2015 | Spring Sing

October 2015 | Four Winds Open Day & Launch of Festival 2016 Program

October 2015 | Zephyrs Presents: The Vampires

October 2015 | ANAM Brass Banter

November 2015 | David Hewitt in Residence

November 2015 | A Day with Richard Gill

November 2015 | Lisa Young Workshops

November 2015 | Radical Son & Yuin Artists in Residence

November 2015 | A Tase of Four Winds @ bei amici

December 2015 | Bermagui Primary Wetlands Song Day

December 2015 | Carols in the Pavilion

2016 Easter Saturday & Sunday at the Sound Shell

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Easter Saturday and Sunday at the Sound Shell is set to be a divine weekend of incredible artists, exceptional music and fine local food in the Four Winds outdoor amphitheatre. Paul Dean, our Artistic Director, has secured a stellar line up of world-renowned artists that will ensure your festival experience is a truly memorable one.

The Saturday and Sunday program at a glance is as follows –

Sound Shell Saturday
Saturday 26 March 2016 | 9:30am – 4:00pm | Sound Shell

 Koora Koorai, Welcome to Country | Featuring Radical Son, Gulaga Dancers and Warren Foster.

Dvořák, Wind Serenade | A chamber composition by the Czech composer Antonin Dvořák, featuring Shefali Pryor, oboe; Paul Dean,clarinet; Lloyd van’t Hoff, clarinet; Matthew Wilkie, bassoon; Matthew Kneale, bassoon; Ben Jacks, French horn; Rachel Shaw, French horn; Trish O’Brien, cello, Rohan Dasika, double bass.

Ravel, String Quartet | Composed by Maurice Ravel in April 1903 at the age of 28, performed by the exceptional Navarra String Quartet who are joining us from the UK.

AlexRaineriLedger, New Work | James Ledger will talk about his new work, commissioned by Four Winds for the 2016 Festival, that will premiere on Sunday.

Schumann, Piano Quartet | Written in 1842, Alex Raineri, piano; Jack Liebeck, violin; Simone Van Der Geisson, viola; Li-Wei Qin, cello.

 

– LUNCH –

unnamed Taikoz Trio| Explosive energy and extreme dynamism with refinement and grace, featuring Ian Cleworth, Kevin Mann and Sophia Ang.

Butterworth, A Shropshire Lad  | Alex Raineri, piano; Andrew Goodwin,tenor.

Sculthorpe, 8th String Quartet | Penny String Quartet.

Paul Stanhope, Pulse : Heart : Beat | Kiran Phatak, flute; Paul Dean, clarinet; Lloyd van’t Hoff, clarinet; Amy Brookman, violin; Anthony Chataway, viola; Jack Ward, cello; Alex Raineri, piano.

unnamed (1) HK Gruber, Frankenstein | A pan-demonium for baritone chansonnier and orchestra based on children’s rhymes, this is one of the strangest, most engaging pieces of music and involves a collection of toy instruments. Featuring Jason Barry-Smith, baritone; Emma Scholl, flute; Paul Dean, clarinet; Matthew Kneale, bassoon; Ben Jacks, French horn; David Elton, trumpet; Amy Brookman, violin; Madeleine Jevons, violin; Tom Higham, viola; Trish O’Brien, cello; Rohan Dasika, double bass; Alex Raineri, piano.

 

Sound Shell Sunday
Sunday 27 March 2016 | 10:00am – 4:00pm | Sound Shell

Li-WeiQin Hindson (arr Power), Cello Concerto, 2nd movement | Soloist: Li-Wei Qin, cello.

Mendelssohn, Violin Concerto in E minor | Soloist: Jack Liebeck,violin.

Britten, Serenade for Tenor, Horn and Strings | Andrew Goodwin,tenor; Ben Jacks, French horn and the Festival string orchestra including the Navarra String Quartet.

Ledger, World Premiere | Ledger’s 2016 Four Winds commissioned work. JamesLedger

Shostakovich, Piano Concerto No 1 | Soloist: Alex Raineri, piano.

– LUNCH –

Erhu, a recital celebrating this ancient Chinese instrument | Nicholas Ng, Erhu.

Hindson, Light Music | The Arcadia Wind Quintet.

Hind, The Tower of Silence | Zubin Kanga, solo piano.

Gershwin, Songs (arr by Ledger) | Andrew Goodwin, tenor.

Gershwin, Rhapsody in Blue | Zubin Kanga, piano, with Festival Artists en masse.

We would love to see you there!
For more information, including more details on all our artists and ticket packages, please visit our Festival page.